Photography Open Calls
Discover exhibitions, publications, festivals and submission opportunities that help photographers share their work with new audiences.

by Timea Buknicz
July 02, 2026 | 12 min read
Not every opportunity in photography comes with a trophy.
Some of the most rewarding experiences begin with a simple invitation: an open call.
Whether it’s an exhibition, a magazine feature, a photography festival, a collaborative project or a residency, open calls give photographers the chance to share their work, reach new audiences and become part of something larger than a competition.
Unlike traditional awards, open calls aren’t always about selecting a winner. Many focus on discovering new voices, curating exhibitions, commissioning projects or bringing creative communities together around a shared theme.
For photographers at any stage of their career, they can be an excellent way to gain visibility, expand a portfolio and build meaningful professional relationships.
This guide explores what photography open calls are, how they differ from competitions, and where to find some of the most respected opportunities around the world.
BACK What Is a Photography Open Call?
A photography open call is an invitation for photographers to submit their work for consideration.
Unlike a competition, where participants are usually ranked and prizes are awarded, open calls often focus on selecting work that fits a particular project, exhibition, publication or creative initiative.
Being selected doesn’t necessarily mean you’ve “won”. Instead, it means your work has been chosen because it aligns with a theme, tells a compelling story or contributes to a wider creative vision.
Open calls exist throughout the photography industry and are organised by galleries, museums, festivals, publishers, magazines, brands, cultural institutions and creative organisations.
Open Calls vs Photography Competitions
Although the two terms are often confused, they serve different purposes.
Photography competitions are designed to recognise excellence through judging, rankings and awards.
Open calls are primarily about participation.
Rather than asking, “Who created the best image?”, organisers are usually asking, “Which photographers would be the best fit for this exhibition, publication or project?”
That difference changes how submissions are evaluated.
Technical quality remains important, but so do storytelling, originality, relevance to the brief and how well a project fits within the overall selection.
Different Types of Photography Open Calls
Photography open calls take many forms, each offering different opportunities for photographers.
Some of the most common include:
• Gallery exhibitions
• Photography festivals
• Photography magazines
• Editorial publications
• Artist books and photobooks
• Collaborative projects
• Documentary commissions
• Brand campaigns
• Creative residencies
• Portfolio reviews
• Community projects
• Public art initiatives
Many photographers build successful careers through a combination of competitions and open calls rather than relying on only one pathway.
Why Open Calls Matter
Open calls often provide opportunities that competitions cannot.
Instead of recognition alone, they may lead to:
• Gallery exhibitions
• International festivals
• Printed publications
• Creative collaborations
• Artist talks
• Networking opportunities
• Future commissions
• Residency programmes
• Long-term professional relationships
For emerging photographers, these experiences can become valuable additions to a portfolio. For established professionals, they offer opportunities to explore new audiences, experiment with personal projects and remain active within the creative community.
How to Choose the Right Open Call
Not every open call will be relevant to your work.
Before applying, ask yourself:
• Does the theme align with my photography?
• Is the organiser reputable?
• Who has participated previously?
• Where will the selected work be shown?
• Who is the intended audience?
• What rights am I granting?
• Are there submission fees?
• Does this opportunity support my long-term goals?
Choosing carefully is often more valuable than submitting to every opportunity you discover.
Common Submission Mistakes
Many strong projects are rejected for reasons that have nothing to do with image quality.
Some of the most common mistakes include:
Ignoring the brief.
Submitting unrelated work.
Missing deadlines.
Uploading incorrect file formats.
Providing weak captions or project descriptions.
Failing to edit a portfolio carefully.
Not reading image licensing terms.
Rushing the application.
The strongest submissions are usually those that demonstrate both creative quality and attention to detail.
International Photography Open Calls Worth Following
Hundreds of photography open calls are announced every year.
Some of the organisations that regularly publish opportunities include:
• PhotoVogue
• PhMuseum
• LensCulture
• Belfast Photo Festival
• FORMAT International Photography Festival
• Rencontres d’Arles
• Der Greif
• Feature Shoot
• British Journal of Photography
• Head On Photo Festival
As the Creative Opportunities Hub continues to grow, each organisation will receive its own dedicated profile with submission guidance, deadlines and editorial insights.
Preparing a Strong Submission
Successful applications rarely happen at the last minute. Give yourself time to review your work objectively.
Edit carefully, make sure your images work well together, write clear captions.
Ask someone you trust for feedback.
Most importantly, follow the brief.
Many organisers receive thousands of submissions. Demonstrating professionalism throughout the application process can be just as important as the images themselves.
Final Thoughts
Photography open calls encourage photographers to share work, join creative communities and discover opportunities that extend far beyond traditional competitions.
Whether you’re hoping to exhibit in a gallery, publish a long-term documentary project, collaborate with other artists or simply place your work in front of experienced curators, open calls provide valuable pathways for creative and professional growth.
The Creative Opportunities Hub will continue expanding with carefully researched open calls from around the world, helping photographers discover opportunities that match their interests and ambitions.
Continue Exploring
• Photography Awards & Competitions
• Creative Grants
• Exhibitions & Festivals
• Design Awards & Competitions
• Post-Production
• Retouching
Official Websites
PhotoVogue
https://www.vogue.com/photovogue
PhMuseum
https://phmuseum.com
LensCulture
https://www.lensculture.com
Belfast Photo Festival
https://www.belfastphotofestival.com
FORMAT International Photography Festival
https://formatfestival.com
Rencontres d’Arles
https://www.rencontres-arles.com
Der Greif
https://www.dergreif.org
Feature Shoot
https://www.featureshoot.com
British Journal of Photography
https://www.1854.photography
Head On Photo Festival
https://headon.org.au
About the Author
Timea Buknicz is the founder of Retoucher of the Year and Retouch League. After more than twenty years working across professional photography and high-end commercial retouching, she created the Creative Opportunities Hub to help photographers, retouchers, designers and visual professionals discover meaningful opportunities and make informed decisions about competitions, awards and creative careers.Last Updated
July 2026
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